Monday, June 1, 2015

Pictures from the Floating World

I find it quite exciting to experience new classical pieces for the first time, especially a new composition like the one by David Ludwig: "Pictures from the Floating World, for Bassoon and Orchestra." This was classical in the old style, akin to the Debussy romantic music from which the composer's gained inspiration. Other works like "Pictures at an Exhibition" demonstrate how listening to a composition more than once can profoundly expand the underlying meaning of the music. I feel that "Pictures from the Floating World" would have that same depth of meaning if heard again. Yet I liked it the first time, this first experience was to me a profound exhibition.

Before the piece the composer David Ludwig spoke to the audience. "It is a delight to be here with this unbelievable Orchestra." He indicated that each of the movements "leaps off from a piece by Debussy." "The music lives in melodies, music that brings forward beautiful flowing bassoon lines." It also is based on the Japanese art tradition of Ukiyo-e print making (the 'floating world' of our every day life). Mr Ludwig indicated that the composer should not talk longer than the piece is."

Nancy Goeres did a fantastic job with the solo part, especially the long drawn out notes that seemed impossible to sustain, but she did so beautifully. The first movement seemingly had the notes always flowing down the scale, yet somehow sneaking back up. In the second movement I enjoyed the interplay between the Bassoon and the two lead Cellos. The 3rd brought forth grand sweeping melodic uplifting orchestra harmony, and an intermezzo with some carefully placed dissonant or discordant sounds, and returning again to the grander feel, more typical of a close of a piece. The next movement seemed more like a Scherzo with lots and lots of quickly spaced notes and finally with a bassoon melody line that suggested to me the possible lyric "Once under a Moon River."

The Pittsburgh Symphony Orchestra under the baton of guest conductor Juanjo Mena began the evening with Debussy: ”IbĂ©ria,” No. 2 . This is a typical Debussy composition, with abstract harmonies and melodies with a romantic flavor. I fully enjoyed the whole piece, with only the last movement being familiar.

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